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The Persian Wars, Volume I
Books 1–2
Herodotus
Harvard University Press, 1981

The “Father of History.”

Herodotus the great Greek historian was born about 484 BC, at Halicarnassus in Caria, Asia Minor, when it was subject to the Persians. He traveled widely in most of Asia Minor, Egypt (as far as Aswan), North Africa, Syria, the country north of the Black Sea, and many parts of the Aegean Sea and the mainland of Greece. He lived, it seems, for some time in Athens, and in 443 went with other colonists to the new city Thurii (in South Italy), where he died about 430. He was “the prose correlative of the bard, a narrator of the deeds of real men, and a describer of foreign places” (Murray).

Herodotus’ famous history of warfare between the Greeks and the Persians has an epic dignity which enhances his delightful style. It includes the rise of the Persian power and an account of the Persian empire; a description and history of Egypt; and a long digression on the geography and customs of Scythia. Even in the later books on the attacks of the Persians against Greece there are digressions. All is most entertaining and produces a grand unity. After personal inquiry and study of hearsay and other evidence, Herodotus gives us a not uncritical estimate of the best that he could find.

The Loeb Classical Library edition of Herodotus is in four volumes.

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The Persian Wars, Volume II
Books 3–4
Herodotus
Harvard University Press, 1981

The “Father of History.”

Herodotus the great Greek historian was born about 484 BC, at Halicarnassus in Caria, Asia Minor, when it was subject to the Persians. He traveled widely in most of Asia Minor, Egypt (as far as Aswan), North Africa, Syria, the country north of the Black Sea, and many parts of the Aegean Sea and the mainland of Greece. He lived, it seems, for some time in Athens, and in 443 went with other colonists to the new city Thurii (in South Italy), where he died about 430. He was “the prose correlative of the bard, a narrator of the deeds of real men, and a describer of foreign places” (Murray).

Herodotus’ famous history of warfare between the Greeks and the Persians has an epic dignity which enhances his delightful style. It includes the rise of the Persian power and an account of the Persian empire; a description and history of Egypt; and a long digression on the geography and customs of Scythia. Even in the later books on the attacks of the Persians against Greece there are digressions. All is most entertaining and produces a grand unity. After personal inquiry and study of hearsay and other evidence, Herodotus gives us a not uncritical estimate of the best that he could find.

The Loeb Classical Library edition of Herodotus is in four volumes.

[more]

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The Persian Wars, Volume III
Books 5–7
Herodotus
Harvard University Press, 1981

The “Father of History.”

Herodotus the great Greek historian was born about 484 BC, at Halicarnassus in Caria, Asia Minor, when it was subject to the Persians. He traveled widely in most of Asia Minor, Egypt (as far as Aswan), North Africa, Syria, the country north of the Black Sea, and many parts of the Aegean Sea and the mainland of Greece. He lived, it seems, for some time in Athens, and in 443 went with other colonists to the new city Thurii (in South Italy), where he died about 430. He was “the prose correlative of the bard, a narrator of the deeds of real men, and a describer of foreign places” (Murray).

Herodotus’ famous history of warfare between the Greeks and the Persians has an epic dignity which enhances his delightful style. It includes the rise of the Persian power and an account of the Persian empire; a description and history of Egypt; and a long digression on the geography and customs of Scythia. Even in the later books on the attacks of the Persians against Greece there are digressions. All is most entertaining and produces a grand unity. After personal inquiry and study of hearsay and other evidence, Herodotus gives us a not uncritical estimate of the best that he could find.

The Loeb Classical Library edition of Herodotus is in four volumes.

[more]

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The Persian Wars, Volume IV
Books 8–9
Herodotus
Harvard University Press, 1981

The “Father of History.”

Herodotus the great Greek historian was born about 484 BC, at Halicarnassus in Caria, Asia Minor, when it was subject to the Persians. He traveled widely in most of Asia Minor, Egypt (as far as Aswan), North Africa, Syria, the country north of the Black Sea, and many parts of the Aegean Sea and the mainland of Greece. He lived, it seems, for some time in Athens, and in 443 went with other colonists to the new city Thurii (in South Italy), where he died about 430. He was “the prose correlative of the bard, a narrator of the deeds of real men, and a describer of foreign places” (Murray).

Herodotus’ famous history of warfare between the Greeks and the Persians has an epic dignity which enhances his delightful style. It includes the rise of the Persian power and an account of the Persian empire; a description and history of Egypt; and a long digression on the geography and customs of Scythia. Even in the later books on the attacks of the Persians against Greece there are digressions. All is most entertaining and produces a grand unity. After personal inquiry and study of hearsay and other evidence, Herodotus gives us a not uncritical estimate of the best that he could find.

The Loeb Classical Library edition of Herodotus is in four volumes.

[more]

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The Persian Whitman
Beyond a Literary Reception
Behnam M. Fomeshi
Leiden University Press, 2019
Walt Whitman, a world-renowned poet and the father of American free verse, is read by diverse audiences around the world. Literary and cultural scholars have studied Whitman’s interaction with and influence in social, political, and literary movements of different countries. Despite his work’s continuing presence in Iran, Whitman’s reception in this country has remained unexplored, and, particularly due to contemporary political circumstances, Iranian reception of Western literature is a field still under-researched. The Persian Whitman examines Whitman’s reception in Iran and explores a new phenomenon born in dialogue between the Persian culture and the American poet.
 
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Persians. Seven against Thebes. Suppliants. Prometheus Bound
Aeschylus
Harvard University Press, 2008

Four unconnected but unforgettable plays from ancient Athens’ first great tragedian.

Aeschylus (ca. 525–456 BC), the dramatist who made Athenian tragedy one of the world’s great art forms, witnessed the establishment of democracy at Athens, fought against the Persians at Marathon and probably also at Salamis, and had one of his productions sponsored by the young Pericles. He was twice invited to visit Sicily, and it was there that he died. At Athens he competed for the tragic prize at the City Dionysia about nineteen times between circa 499 and 458, and won it on thirteen occasions; in his later years he was probably victorious almost every time he put on a production, though Sophocles beat him at least once.

Of his total of about eighty plays, seven survive complete. The first volume of this new Loeb Classical Library edition contains fresh texts and translations by Alan H. Sommerstein of Persians (472), on the recent war, the only surviving Greek historical drama; Seven against Thebes (467), the third play of a trilogy, on the conflict between Oedipus’ sons which ends when they kill each other; Suppliants, the first or second play of a trilogy, on the successful appeal by the daughters of Danaus to the king and people of Argos for protection against a forced marriage to their cousins (whom they will later murder, all but one); and Prometheus Bound (of disputed authenticity), on the terrible punishment of Prometheus for giving fire to humans in defiance of Zeus (with whom he will later be reconciled after preventing his overthrow). The second volume contains the complete Oresteia trilogy (458), comprising Agamemnon, Libation-Bearers, and Eumenides, presenting the murder of Agamemnon by his wife, the revenge taken by their son Orestes, the pursuit of Orestes by his mother’s avenging Furies, his trial and acquittal at Athens, Athena’s pacification of the Furies, and the blessings they both invoke upon the Athenian people.

This edition’s third volume offers all the major fragments of lost Aeschylean plays, with brief headnotes explaining what is known, or can be plausibly inferred, about their content, and bibliographies of recent studies.

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Persius
A Study in Food, Philosophy, and the Figural
Shadi Bartsch
University of Chicago Press, 2015
The Roman poet and satirist Persius (34–62 CE) was unique among his peers for lampooning literary and social conventions from a distinctly Stoic point of view. A curious amalgam of mocking wit and philosophy, his Satires are rife with violent metaphors and unpleasant imagery and show little concern for the reader’s enjoyment or understanding.

In Persius, Shadi Bartsch explores this Stoic framework and argues that Persius sets his own bizarre metaphors of food, digestion, and sexuality against more appealing imagery to show that the latter—and the poetry containing  it—harms rather than helps its audience. Ultimately, he encourages us to abandon metaphor altogether in favor of the non-emotive abstract truths of Stoic philosophy, to live in a world where neither alluring poetry, nor rich food, nor sexual charm play a role in philosophical teaching.
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Personification and the Sublime
Milton to Coleridge
Steven Knapp
Harvard University Press, 1985

Eighteenth-century and Romantic readers had a peculiar habit of calling personified abstractions “sublime.” This has always seemed mysterious, since the same readers so often expressed a feeling that there was something wrong with turning ideas into people—or, worse, turning people into ideas. In this wide-ranging, carefully argued study, Steven Knapp explains the connection between personification and the aesthetics of the sublime.

Personifications, such as Milton’s controversial figures of Sin and Death in Paradise Lost, were seen to embody a unique combination of imaginative power and overt fictionality, and these, Knapp shows, were exactly the conflicting requirements of the sublime in general. He argues that the uneasiness readers felt toward sublime personifications was symptomatic of broader ambivalences toward archaic beliefs, political and religious violence, and poetic fiction as such.

Drawing on recent interpretations of Romanticism, allegory, and the sublime, Knapp provides important new readings of Coleridge, Wordsworth, Kant, and William Collins. His provocative thesis sheds new light on the relationship between Romanticism and the eighteenth century.

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Persons and Things
Barbara Johnson
Harvard University Press, 2010

Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes—without ever losing sight of the ethical imperative with which she begins: the need to treat persons as persons.

In Persons and Things, Johnson turns deconstruction around to make a fundamental contribution to the new aesthetics. She begins with the most elementary thing we know: deconstruction calls attention to gaps and reveals that their claims upon us are fraudulent. Johnson revolutionizes the method by showing that the inanimate thing exposed as a delusion is central to fantasy life, that fantasy life, however deluded, should be taken seriously, and that although a work of art “is formed around something missing,” this “void is its vanishing point, not its essence.” She shows deftly and delicately that the void inside Keats’s urn, Heidegger’s jug, or Wallace Stevens’s jar forms the center around which we tend to organize our worlds.

The new aesthetics should restore fluidities between persons and things. In pursuing it, Johnson calls upon Ovid, Keats, Poe, Plath, and others who have inhabited this in-between space. The entire process operates via a subtlety that only a critic of Johnson’s caliber could reveal to us.

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Persophilia
Persian Culture on the Global Scene
Hamid Dabashi
Harvard University Press, 2015

From the Biblical period and Classical Antiquity to the rise of the Renaissance and the Enlightenment, aspects of Persian culture have been integral to European history. A diverse constellation of European artists, poets, and thinkers have looked to Persia for inspiration, finding there a rich cultural counterpoint and frame of reference. Interest in all things Persian was no passing fancy but an enduring fascination that has shaped not just Western views but the self-image of Iranians up to the present day. Persophilia maps the changing geography of connections between Persia and the West over the centuries and shows that traffic in ideas about Persia and Persians did not travel on a one-way street.

How did Iranians respond when they saw themselves reflected in Western mirrors? Expanding on Jürgen Habermas’s theory of the public sphere, and overcoming the limits of Edward Said, Hamid Dabashi answers this critical question by tracing the formation of a civic discursive space in Iran, seeing it as a prime example of a modern nation-state emerging from an ancient civilization in the context of European colonialism. The modern Iranian public sphere, Dabashi argues, cannot be understood apart from this dynamic interaction.

Persophilia takes into its purview works as varied as Xenophon’s Cyropaedia and Nietzsche’s Thus Spoke Zarathustra, Handel’s Xerxes and Puccini’s Turandot, and Gauguin and Matisse’s fascination with Persian art. The result is a provocative reading of world history that dismantles normative historiography and alters our understanding of postcolonial nations.

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Perspectives
Modes of Viewing and Knowing in Nineteenth-Century England
Linda M. Shires
The Ohio State University Press
Perspectives: Modes of Viewing and Knowing in Nineteenth-Century England reopens the question of classical perspective and its vicissitudes in aesthetic practice with a focus on texts of the 1830s to the end of the 1870s. Linda M. Shires demonstrates why and how artists and writers across media experimented with techniques of dissolution, combination, and multiple viewpoints much earlier in the century than intellectual historians generally assume.
 
Arguing for a relationship between what she calls the disappearing “I” in poetry, a compromised omniscience, and the testing of a mastering eye in painting and photography, Shires argues that art forms themselves, rather than new technologies alone, reshaped the period by educating readers and viewers into new ways of knowing. In chapters on visual and verbal art and a waning theocentrism; D.G. Rossetti; Henry Peach Robinson and Lady Clementina Hawarden; and Robert Browning, Wilkie Collins, and George Eliot, Shires revitalizes the currently available scholarship on connections among nineteenth-century art forms.
 
This interdisciplinary study offers nuanced, close readings in order to rebut assertions of delayed artistic responses to the decreasing influence of traditional perspective. It shows how vision is bound up with all the senses of a viewer and it supports current concepts of modernism as transitional, rather than radical.
 
 
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Perspectives of Roman Poetry
A Classics Symposium
Edited by G. Karl Galinsky
University of Texas Press, 1974

Written by leading specialists, the essays in Perspectives of Roman Poetry seek to provide a broad range of readers with a good understanding of some essential aspects of major Roman poets and poetic genres. The value of the essays is enhanced, for comparative purposes, by their extensive reference to modern authors. such as Shakespeare and Tolkien. For the modern reader, Latin quotations are accompanied by effective English translations.

The essays and their authors are as follows:

  • "The Woman's Role in Latin Love Poetry," by Georg Luck
  • "Autobiography and Art in Horace," by William S. Anderson
  • "Some Trees in Virgil and Tolkien," by Kenneth J. Reckford
  • "The Business of Roman Comedy," by Erich Segal
  • "Ovid's Metamorphosis of Myth," by G. Karl Galinsky
The preface and concluding panel discussion illumine the situation of literary criticism inthe classics and point out the need for diversity.

Perspectives of Roman Poetry resulted from a symposium held at the University of Texas at Austin in 1972. These essays offer different and, in some cases, heterodox interpretations that will serve as a basis for future discussions.

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PERSPECTIVES ON THE OLD SAXON HELIAND
INTRODUCTORY AND CRITICAL ESSAYS, WITH AN EDITION OF THE LEIPZIG FRAGMENT
Edited by Valentine A. Pakis
West Virginia University Press, 2010

Heliand, the Old Saxon poem based on the life of Christ in the Gospels, has become more available to students of Anglo-Saxon culture as its influence has reached into a wider range of fields from history to linguistics, literature, and religion. In Perspectives on the Old Saxon Heliand, Valentine Pakis brings together recent scholarship that both addresses new turns in the field and engages with the relevant arguments of the past three decades. Furthering the ongoing critical discussion of both text and culture, this volume also reflects on the current state of the field and demonstrates how it has evolved since the 1970s.

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Persuasion
An Annotated Edition
Jane Austen
Harvard University Press, 2011

Published posthumously with Northanger Abbey in 1817, Persuasion crowns Jane Austen’s remarkable career. It is her most passionate and introspective love story. This richly illustrated and annotated edition brings her last completed novel to life with previously unmatched vitality. In the same format that so rewarded readers of Pride and Prejudice: An Annotated Edition, it offers running commentary on the novel (conveniently placed alongside Austen’s text) to explain difficult words, allusions, and contexts, while bringing together critical observations and scholarship for an enhanced reading experience. The abundance of color illustrations allows the reader to see the characters, locations, clothing, and carriages of the novel, as well as the larger political and historical events that shape its action.

In his Introduction, distinguished scholar Robert Morrison examines the broken engagement between Anne Elliot and Frederick Wentworth, and the ways in which they wander from one another even as their enduring feelings draw them steadily back together. His notes constitute the most sustained critical commentary ever brought to bear on the novel and explicate its central conflicts as well as its relationship to Austen’s other works, and to those of her major contemporaries, including Lord Byron, Walter Scott, and Maria Edgeworth.

Specialists, Janeites, and first-time readers alike will treasure this annotated and beautifully illustrated edition, which does justice to the elegance and depth of Jane Austen’s time-bound and timeless story of loneliness, missed opportunities, and abiding love.

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Perversion and the Social Relation
sic IV
Molly Anne Rothenberg, Dennis A. Foster and Slavoj Zizek, eds.
Duke University Press, 2003
The masochist, the voyeur, the sadist, the sodomite, the fetishist, the pedophile, and the necrophiliac all expose hidden but essential elements of the social relation. Arguing that the concept of perversion, usually stigmatized, ought rather to be understood as a necessary stage in the development of all non-psychotic subjects, the essays in Perversion and the Social Relation consider the usefulness of the category of the perverse for exploring how social relations are formed, maintained, and transformed.

By focusing on perversion as a psychic structure rather than as aberrant behavior, the contributors provide an alternative to models of social interpretation based on classical Oedipal models of maturation and desire. At the same time, they critique claims that the perverse is necessarily subversive or liberating. In their lucid introduction, the editors explain that while fixation at the stage of the perverse can result in considerable suffering for the individual and others, perversion motivates social relations by providing pleasure and fulfilling the psychological need to put something in the place of the Father. The contributors draw on a variety of psychoanalytic perspectives—Freudian and Lacanian—as well as anthropology, history, literature, and film. From Slavoj Žižek's meditation on “the politics of masochism” in David Fincher's movie Fight Club through readings of works including William Styron's The Confessions of Nat Turner, Don DeLillo’s White Noise, and William Burroughs's Cities of the Red Night, the essays collected here illuminate perversion's necessary role in social relations.

Contributors. Michael P. Bibler, Dennis A. Foster, Bruce Fink, Octave Mannoni, E. L. McCallum, James Penney, Molly Anne Rothenberg, Nina Schwartz, Slavoj Žižek

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Petersburg
The Physiology of a City
Thomas Gaiton Marullo
Northwestern University Press, 2009
This landmark collection of short works forms a vivid documentary of life in midnineteenth-century St. Petersburg. Editor Nikolai Nekrasov was the most influential literary entrepreneur of the day, and he assembled works ranging from ethnography to fiction to literary criticism, all written by leading authors and thinkers of the time. The book he edited represents many important strands in Russian culture and history, including the development of Russian prose and the rise of the intelligentsia. A vital political document as well, Petersburg is a record of—and served as a spur to—the changes in Russian society that culminated in the 1917 revolution. This first-ever English edition brings its storied and studied illumination to a new audience, providing a key to understanding the place that St. Petersburg holds in Russia’s identity.
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Petersburg/Petersburg
Novel and City, 1900–1921
Olga Matich
University of Wisconsin Press, 2010

Since its founding three hundred years ago, the city of Saint Petersburg has captured the imaginations of the most celebrated Russian writers, whose characters map the city by navigating its streets from the aristocratic center to the gritty outskirts. While Tsar Peter the Great planned the streetscapes of Russia’s northern capital as a contrast to the muddy and crooked streets of Moscow, Andrei Bely’s novel Petersburg (1916), a cornerstone of Russian modernism and the culmination of the “Petersburg myth” in Russian culture, takes issue with the city’s premeditated and supposedly rational character in the early twentieth century.
    “Petersburg”/Petersburg studies the book and the city against and through each other. It begins with new readings of the novel—as a detective story inspired by bomb-throwing terrorists, as a representation of the aversive emotion of disgust, and as a painterly avant-garde text—stressing the novel’s phantasmagoric and apocalyptic vision of the city. Taking a cue from Petersburg’s narrator, the rest of this volume (and the companion Web site, stpetersburg.berkeley.edu/) explores the city from vantage points that have not been considered before—from its streetcars and iconic art-nouveau office buildings to the slaughterhouse on the city fringes. From poetry and terrorist memoirs, photographs and artwork, maps and guidebooks of that period, the city emerges as a living organism, a dreamworld in flux, and a junction of modernity and modernism.

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Petrarch
A Critical Guide to the Complete Works
Edited by Victoria Kirkham and Armando Maggi
University of Chicago Press, 2009
Although Francesco Petrarca (1304–74) is best known today for cementing the sonnet’s place in literary history, he was also a philosopher, historian, orator, and one of the foremost classical scholars of his age. Petrarch: A Critical Guide to the Complete Works is the only comprehensive, single-volume source to which anyone—scholar, student, or general reader—can turn for information on each of Petrarch’s works, its place in the poet’s oeuvre, and a critical exposition of its defining features.
            A sophisticated but accessible handbook that illuminates Petrarch’s love of  classical culture, his devout Christianity, his public celebrity, and his struggle for inner peace, this encyclopedic volume covers both Petrarch’s Italian and Latin writings and the various genres in which he excelled: poem, tract, dialogue, oration, and letter. A biographical introduction and chronology anchor the book, making Petrarch an invaluable resource for specialists in Italian, comparative literature, history, classics, religious studies, the Middle Ages, and the Renaissance.

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Petrarch and His Legacies
Edited by Ernesto Livorni and Jelena Todorovic
Arizona Center for Medieval and Renaissance Studies, 2021

This book gathers cutting-edge articles by prominent scholars reflecting on Petrarch’s poetry and his long legacy, from the Renaissance to the present day. The scholars engaged in this volume read Petrarch in the context of his own world and with a variety of theoretical and critical approaches, never overlooking the opportunity for an interdisciplinary reading that combines poetry and visual arts. The volume includes scholars from the United States and Europe (Italy, in particular), thus offering the opportunity to compare different theoretical approaches.  

The articles in the second half of the volume celebrate Petrarch’s legacies beyond the historically fundamental Renaissance Petrarchism, while exploring the presence of Petrarch’s poetry in several cultural realities. The scholars also read Petrarch with necessary attention to new disciplines such as digital humanities. The richness of the volume lies in these innovative perusals of Petrarch’s works not only through the critical lens of dedicated scholars, but also through their readings of artists who throughout the centuries appreciated and revived Petrarch’s poetry in their own literary endeavors.

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Petrarch and Sixteenth-Century Italian Portraiture
Ilaria Bernocchi
Amsterdam University Press, 2024
The volume presents a wide-ranging investigation of the ways in which Petrarch’s legacy informed the relationship between visual and literary portraits in sixteenth-century Italy. Petrarch’s vast literary production influenced the intellectual framework in which new models of representation and self-representation developed during the Renaissance. His two sonnets on Laura’s portrait by Simone Martini and his ambivalent fascination with the illusionary power of portraiture in his Latin texts — such as the Secretum, the Familiares and De remediis utriusque fortune — constituted the theoretical reference for artists and writers alike. In a century dominated by the rhetorical comparison between art and literature (ut pictura poësis) and by the paragone debate, the interplay between Petrarch’s oeuvre, Petrarchism and portraiture shaped the discourse on the relationship between the sitters’ physical image and their inner life. The volume brings together diverse interdisciplinary contributions that explore the subject through a rich body of literary and visual sources.
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Petrarch and the Making of Gender in Renaissance Italy
Shannon McHugh
Amsterdam University Press, 2023
This book is a new history of early modern gender, told through the lyric poetry of Renaissance Italy. In the evolution of Western gender roles, the Italian Renaissance was a watershed moment, when a confluence of cultural developments disrupted centuries of Aristotelian, binary thinking. Men and women living through this upheaval exploited Petrarchism’s capacity for subjective expression and experimentation - as well as its status as the most accessible of genres - in order to imagine new gendered possibilities in realms such as marriage, war, and religion. One of the first studies to examine writing by early modern Italian men and women together, it is also a revolutionary testament to poetry’s work in the world. These poets’ works challenge the traditional boundaries drawn around lyric’s utility. They show us how poems could be sites of resistance against the pervading social order - how they are texts capable not only of recording social history, but also of shaping it.
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Petrarch
Everywhere a Wanderer
Christopher S. Celenza
Reaktion Books, 2022
An enlightening study of the contradictory character of this canonical fourteenth-century Italian poet.

Born in Tuscany in 1304, Italian poet Francesco Petrarca is widely considered one of the fathers of the modern Italian language. Though his writings inspired the humanist movement and subsequently the Renaissance, Petrarch remains misunderstood. He was a man of contradictions—a Roman pagan devotee and a devout Christian, a lover of friendship and sociability, yet intensely private.

In this biography, Christopher S. Celenza revisits Petrarch’s life and work for the first time in decades, considering how the scholar’s reputation and identity have changed since his death in 1374. He brings to light Petrarch’s unrequited love for his poetic muse, the anti-institutional attitude he developed as he sought a path to modernity by looking backward to antiquity, and his endless focus on himself. Drawing on both Petrarch’s Italian and Latin writings, this is a revealing portrait of a figure of paradoxes: a man of mystique, historical importance, and endless fascination. It is the only book on Petrarch suitable for students, general readers, and scholars alike.
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Petrarch’s Lyric Poems
The Rime Sparse and Other Lyrics
Francesco Petrarch
Harvard University Press, 1976

For teachers and students of Petrarch, Robert M. Durling’s edition of the poems has become the standard one. Readers have praised the translation as both graceful and accurate, conveying a real understanding of what this difficult poet is saying.

The literalness of the prose translation makes this beautiful book especially useful to students who lack a full command of Italian. And students reading the verse in the original will find here an authoritative text.

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Petrochemical Fantasies
The Art and Energy of American Comics
Daniel Worden
The Ohio State University Press, 2024

In Petrochemical Fantasies, Daniel Worden reveals the entwined history of comics and fossil fuels in the United States. From the 1840s to the present, comics have depicted the power, pollution, and rapid expansion of energy systems—especially the explosive growth of coal and oil. In the 1930s, some of the first comic books were the gas station giveaways Gulf Funny Weekly and Standard Oil Comics. And in recent years, comics have become one of the major sites for visualizing life after oil, a striking reversal of the medium’s early boosterism.

Surveying the work of acclaimed artists such as Nell Brinkley, George Herriman, Jack Kirby, Winsor McCay, and R. F. Outcault and recovering little-known works, Worden advances a new history of American comics in the Anthropocene. From late nineteenth- and early twentieth-century editorial cartoons and superhero comics that visualize our modern energy culture to contemporary comics grappling with climate crises, Petrochemical Fantasies places comics, environmental humanities, and energy studies in conversation with each other to unearth the crucial but overlooked history of comics’ place in US energy culture.

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Phantasmatic Indochina
French Colonial Ideology in Architecture, Film, and Literature
Panivong Norindr
Duke University Press, 1996
This reflection on colonial culture argues for an examination of “Indochina” as a fictive and mythic construct, a phantasmatic legacy of French colonialism in Southeast Asia. Panivong Norindr uses postcolonial theory to demonstrate how French imperialism manifests itself not only through physical domination of geographic entities, but also through the colonization of the imaginary. In this careful reading of architecture, film, and literature, Norindr lays bare the processes of fantasy, desire, and nostalgia constituent of French territorial aggression against Indochina.
Analyzing the first Exposition Coloniale Internationale, held in Paris in 1931, Norindr shows how the exhibition’s display of architecture gave a vision to the colonies that justified France’s cultural prejudices, while stimulating the desire for further expansionism. He critiques the Surrealist counter-exposition mounted to oppose the imperialist aims of the Exposition Coloniale, and the Surrealist incorporation and appropriation of native artifacts in avant-garde works. According to Norindr, all serious attempts at interrogating French colonial involvement in Southeast Asia are threatened by discourse, images, representations, and myths that perpetuate the luminous aura of Indochina as a place of erotic fantasies and exotic adventures. Exploring the resilience of French nostalgia for Indochina in books and movies, the author examines work by Malraux, Duras, and Claudel, and the films Indochine, The Lover, and Dien Bien Phu.
Certain to impact across a range of disciplines, Phantasmatic Indochina will be of interest to those engaged in the study of the culture and history of Vietnam, Cambodia, Thailand, and Laos, as well as specialists in the fields of French modernism, postcolonial studies, cultural studies, and comparative literature.
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The Phantom of the Ego
Modernism and the Mimetic Unconscious
Nidesh Lawtoo
Michigan State University Press, 2013

The Phantom of the Ego is the first comparative study that shows how the modernist account of the unconscious anticipates contemporary discoveries about the importance of mimesis in the formation of subjectivity. Rather than beginning with Sigmund Freud as the father of modernism, Nidesh Lawtoo starts with Friedrich Nietzsche’s antimetaphysical diagnostic of the ego, his realization that mimetic reflexes—from sympathy to hypnosis, to contagion, to crowd behavior—move the soul, and his insistence that psychology informs philosophical reflection. Through a transdisciplinary, comparative reading of landmark modernist authors like Nietzsche, Joseph Conrad, D. H. Lawrence, and Georges Bataille, Lawtoo shows that, before being a timely empirical discovery, the “mimetic unconscious” emerged from an untimely current in literary and philosophical modernism. This book traces the psychological, ethical, political, and cultural implications of the realization that the modern ego is born out of the spirit of imitation; it is thus, strictly speaking, not an ego, but what Nietzsche calls, “a phantom of the ego.” The Phantom of the Ego opens up a Nietzschean back door to the unconscious that has mimesis rather than dreams as its via regia, and argues that the modernist account of the “mimetic unconscious” makes our understanding of the psyche new.

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Phenomenal Blackness
Black Power, Philosophy, and Theory
Mark Christian Thompson
University of Chicago Press, 2022
This unorthodox account of 1960s Black thought rigorously details the field’s debts to German critical theory and explores a forgotten tradition of Black singularity. 
 
Phenomenal Blackness examines the changing interdisciplinary investments of key mid-century Black writers and thinkers, including the growing interest in German philosophy and critical theory. Mark Christian Thompson analyzes this shift in intellectual focus across the post-war decades, placing Black Power thought in a philosophical context.

Prior to the 1960s, sociologically oriented thinkers such as W. E. B. Du Bois had understood Blackness as a singular set of socio-historical characteristics. In contrast, writers such as Amiri Baraka, James Baldwin, Angela Y. Davis, Eldridge Cleaver, and Malcolm X were drawn to notions of an African essence, an ontology of Black being. With these perspectives, literary language came to be seen as the primary social expression of Blackness. For this new way of thinking, the works of philosophers such as Adorno, Habermas, and Marcuse were a vital resource, allowing for continued cultural-materialist analysis while accommodating the hermeneutical aspects of Black religious thought. Thompson argues that these efforts to reimagine Black singularity led to a phenomenological understanding of Blackness—a “Black aesthetic dimension” wherein aspirational models for Black liberation might emerge.
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Phenomenal Reading
Essays on Modern and Contemporary Poetics
Brian M. Reed
University of Alabama Press, 2012
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The essays in Phenomenal Reading entice readers to cross accepted barriers, and highlight the work of poets who challenge language-as-usual in academia and the culture at large.
 
Phenomenal Reading is comprised of essays that are central to how best to read poetry. This book examines individually and collectively poets widely recognized as formal and linguistic innovators. Why do their words appear in unconventional orders? What end do these arrangements serve? Why are they striking? Brian Reed focuses on poetic form as a persistent puzzle, using historical fact and the views of other key critics to clarify how particular literary works are constructed and how those constructions lead to specific effects.
 
Understanding that explication and contextualization do not always sufficiently harness the power of poetry, Reed pursues phenomenological methods that take into account each reader’s unique perception of the world. This collection of twelve essays values narrative as a tool for conveying the intricacy, contingency, and richness of poetic experience.
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The Philadelphia Connection
Conversations with Playwrights
B. J. Burton
Intellect Books, 2015
Philadelphia is one of America’s most interesting and innovative cities for theater, rich in new theaters, new plays, and rising playwrights. This book paints a picture of the city’s burgeoning scene through interviews with some of Philadelphia’s most influential and successful playwrights. Featuring interviews with Bruce Graham, Michael Hollinger, Thomas Gibbons, Seth Rozin, Louis Lippa, Jules Tasca, Kimmika Williams-Witherspoon, Ed Shockley, Larry Loebell, Arden Kass, Nicholas Wardigo, Alex Dremann, Katharine Clark Gray, and Jacqueline Goldfinger, the book will be a source of inspiration for playwrights in Philadelphia and far beyond.
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Philadelphia Freedoms
Black American Trauma, Memory, and Culture after King
Michael Awkward
Temple University Press, 2013
Michael Awkward’s Philadelphia Freedoms captures the energetic contestations over the meanings of racial politics and black identity during the post-King era in the City of Brotherly Love. Looking closely at four cultural moments, he shows how racial trauma and his native city’s history have been entwined. He introduces each of these moments with poignant personal memories of the decade in focus and explores representation of African American freedom and oppression from the 1960s to the 1990s.
 
Philadelphia Freedoms explores NBA players’ psychic pain during a playoff game the day after Martin Luther King, Jr.'s assassination; themes of fatherhood and black masculinity in the soul music produced by Philadelphia International Records; class conflict in Andrea Lee’s novel Sarah Phillips; and the theme of racial healing in Oprah Winfrey’s 1997 film, Beloved.
 
Awkward closes his examination of racial trauma and black identity with a discussion of candidate Barack Obama’s speech on race at Philadelphia’s Constitution Center, pointing to the conflict between the nation’s ideals and the racial animus that persists even into the second term of America’s first black president.
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Philippe Aries and the Politics of French Cultural History
Patrick H. Hutton
University of Massachusetts Press, 2004
The author of Centuries of Childhood and other landmark historical works, Philippe Ariès (1914–1984) was a singular figure in French intellectual life. He was both a political reactionary and a path-breaking scholar, a sectarian royalist who supported the Vichy regime and a founder of the new cultural history—popularly known as l'histoire des mentalités—that developed in the decades following World War II. In this book, Patrick H. Hutton explores the relationship between Ariès's life and thought and evaluates his contribution to modern historiography, in France and abroad.

According to Hutton, the originality of Ariès's work and the power of his appeal derived from the way he drew together the two strands of his own intellectual life: his enduring ties to the old cultural order valued by the right-wing Action Française, and a newfound appreciation for the methodology of the leftist Annales school of historians. A demographer by training, he pioneered a new route into the history of private life that eventually won him a wide readership and in late life an appointment to the faculty of the prestigious École des Hautes Études en Sciences Sociales. At the same time, he fashioned himself as a man of letters in the intellectual tradition of the Action Française and became a perspicacious journalist as well as a stimulating writer of autobiographical memoirs. In Hutton's view, this helps explain why, more than any other historian, Philippe Ariès left his personal signature on his scholarship.
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Philippics
Cicero
Harvard University Press

Cicero (Marcus Tullius, 106–43 BCE), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era which saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, 58 survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.

The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

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Philippics 1–6
Edited and translated by D. R. Shackleton BaileyRevised by John T. Ramsey and Gesine Manuwald
Harvard University Press, 2009

Invectives against Antony.

Cicero (Marcus Tullius, 106–43 BC), Roman advocate, orator, politician, poet, and philosopher, about whom we know more than we do of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In Cicero’s political speeches and in his correspondence we see the excitement, tension, and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, 58 survive (a few incompletely), 29 of which are addressed to the Roman people or Senate, the rest to jurors. In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters, of which more than 800 were written by Cicero, and nearly 100 by others to him. This correspondence affords a revelation of the man, all the more striking because most of the letters were not intended for publication. Six works on rhetorical subjects survive intact and another in fragments. Seven major philosophical works are extant in part or in whole, and there are a number of shorter compositions either preserved or known by title or fragments.

The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

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Philippics 7–14
Edited and translated by D. R. Shackleton BaileyRevised by John T. Ramsey and Gesine Manuwald
Harvard University Press, 2009

Invectives against Antony.

Cicero (Marcus Tullius, 106–43 BC), Roman advocate, orator, politician, poet, and philosopher, about whom we know more than we do of any other Roman, lived through the stirring era that saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In Cicero’s political speeches and in his correspondence we see the excitement, tension, and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, 58 survive (a few incompletely), 29 of which are addressed to the Roman people or Senate, the rest to jurors. In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters, of which more than 800 were written by Cicero, and nearly 100 by others to him. This correspondence affords a revelation of the man, all the more striking because most of the letters were not intended for publication. Six works on rhetorical subjects survive intact and another in fragments. Seven major philosophical works are extant in part or in whole, and there are a number of shorter compositions either preserved or known by title or fragments.

The Loeb Classical Library edition of Cicero is in twenty-nine volumes.

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Phillis Wheatley and the Romantics
John C. Shields
University of Tennessee Press, 2010

Phillis Wheatley was the first African American to publish a book. Born in Gambia in 1753, she came to America aboard a slave ship, the Phillis. From an early age, Wheatley exhibited a profound gift for verse, publishing her first poem in 1767. Her tribute to a famed pastor, “On the Death of the Rev. Mr. George Whitefield,” followed in 1770, catapulting her into the international spotlight, and publication of her 1773 Poems on Various Subjects Religious and Moral in London created her an international star.

Despite the attention she received at the time, history has not been kind to Wheatley. Her work has long been neglected or denigrated by literary critics and historians. John C. Shields, a scholar of early American literature, has tried to help change this perception, and Wheatley has begun to take her place among the elite of American writers.

In Phillis Wheatley and the Romantic Age, Shields contends that Wheatley was not only a brilliant writer but one whose work made a significant impression on renowned Europeans of the Romantic age, such as Samuel Taylor Coleridge, who borrowed liberally from her works, particularly in his famous distinction between fancy and imagination. Shields shows how certain Wheatley texts, particularly her “Long Poem,” consisting of “On Recollection,” “Thoughts on the Works of Providence,” and “On Imagination,” helped shape the face of Romanticism in the late eighteenth and nineteenth centuries.

Phillis Wheatley and the Romantic Age helps demolish the long-held notion that literary culture flowed in only one direction: from Europe to the Americas. Thanks to Wheatley’s influence, Shields argues, the New World was influencing European literary masters far sooner than has been generally understood.

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Philo, Volume I
On the Creation. Allegorical Interpretation of Genesis 2 and 3
Philo
Harvard University Press

Syncretistic exegesis.

The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought.

The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Philo, Volume II
On the Cherubim. The Sacrifices of Abel and Cain. The Worse Attacks the Better. On the Posterity and Exile of Cain. On the Giants
Philo
Harvard University Press

Syncretistic exegesis.

The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought.

The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Philo, Volume III
On the Unchangeableness of God. On Husbandry. Concerning Noah’s Work as a Planter. On Drunkenness. On Sobriety
Philo
Harvard University Press

Syncretistic exegesis.

The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought.

The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Philo, Volume IV
On the Confusion of Tongues. On the Migration of Abraham. Who Is the Heir of Divine Things? On Mating with the Preliminary Studies
Philo
Harvard University Press

Syncretistic exegesis.

The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought.

The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Philo, Volume IX
Every Good Man is Free. On the Contemplative Life. On the Eternity of the World. Against Flaccus. Apology for the Jews. On Providence
Philo
Harvard University Press

Syncretistic exegesis.

The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought.

The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Philo, Volume V
On Flight and Finding. On the Change of Names. On Dreams
Philo
Harvard University Press

Syncretistic exegesis.

The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought.

The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Philo, Volume VI
On Abraham. On Joseph. On Moses
Philo
Harvard University Press

Syncretistic exegesis.

The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought.

The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Philo, Volume VII
On the Decalogue. On the Special Laws, Books 1–3
Philo
Harvard University Press

Syncretistic exegesis.

The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought.

The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Philo, Volume VIII
On the Special Laws, Book 4. On the Virtues. On Rewards and Punishments
Philo
Harvard University Press

Syncretistic exegesis.

The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought.

The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Philo, Volume X
On the Embassy to Gaius. General Indexes
Philo
Harvard University Press

A diplomatic mission to the emperor Caligula.

The philosopher Philo was born about 20 BC to a prominent Jewish family in Alexandria, the chief home of the Jewish Diaspora as well as the chief center of Hellenistic culture; he was trained in Greek as well as Jewish learning. In attempting to reconcile biblical teachings with Greek philosophy he developed ideas that had wide influence on Christian and Jewish religious thought.

The Loeb Classical Library edition of the works of Philo is in ten volumes and two supplements, distributed as follows. Volume I: Creation; Interpretation of Genesis II and III. II: On the Cherubim; The Sacrifices of Abel and Cain; The Worse Attacks the Better; The Posterity and Exile of Cain; On the Giants. III: The Unchangeableness of God; On Husbandry; Noah's Work as a Planter; On Drunkenness; On Sobriety. IV: The Confusion of Tongues; The Migration of Abraham; The Heir of Divine Things; On the Preliminary Studies. V: On Flight and Finding; Change of Names; On Dreams. VI: Abraham; Joseph; Moses. VII: The Decalogue; On Special Laws Books I–III. VIII: On Special Laws Book IV; On the Virtues; Rewards and Punishments. IX: Every Good Man Is Free; The Contemplative Life; The Eternity of the World; Against Flaccus; Apology for the Jews; On Providence. X: On the Embassy to Gaius; indexes. Supplement I: Questions on Genesis. II: Questions on Exodus; index to supplements.

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Philodemus, On Anger
David Armstrong
SBL Press, 2020

The first English translation of On Anger

This latest volume in the Writings from the Greco-Roman World series provides a translation of a newly edited Greek text of Philodemus’s On Anger, now supplemented with the help of multispectral imaging. As our sole evidence for the Epicurean view of what constitutes natural and praiseworthy anger as distinguished from unnatural pleasure in vengeance and cruelty for their own sake, this text is crucial to the study of ancient thought about the emotions. Its critique of contemporary Stoic and Peripatetic theories of anger offers crucial new information for the history of philosophy in the last two centuries BCE. The introduction and commentary also make use of newly revised texts and readings from several other ancient treatises on anger.

Features

  • An apparatus representing work on the text since the papyrus was opened in 1805
  • A full explication of the Epicurean theory of natural anger as an emotion without pleasure
  • One of the Herculaneum papyri that survived the eruption of Vesuvius in 79 CE
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Philology and Its Histories
Sean Gurd
The Ohio State University Press
There has never been any shortage of interest in philology, its status, its history, or its origins. Today, after more than twenty years of serial “returns to philology” under the banner of deconstruction, the new medieval studies, critical bibliography, and a particular kind of globally aware activist criticism, philology has again become available as a respectable posture for contemporary literary scholars. But what is “philology,” and how can we attend to it, either as a contemporary practice or as an age-old object of endorsement and critique?
 
In this volume, edited by Sean Gurd, noted scholars discuss the history of philology from antiquity to the present. This book addresses a wide variety of authors, documents, and movements, among them Greek papyri, Latin textual traditions, the Renaissance, eighteenth-century antiquarianism, and deconstruction.
 
It is too easy to see philology as the bearer of an antiquated but forceful authority. When philologists take up the tools of textual criticism, they contribute to the very form of texts; seeking to articulate the protocols of correct interpretation, they aspire to be the legislators of reading practice. Nonetheless, Philology and Its Histories argues that philology is not a conservative or ideologically loaded master-discourse, but a tradition of searching, fundamentally ungrounded, dealing with the insecurity of questions rather than the safety of answers. For good or ill, philology is where literature happens; we do well to pay heed to it and to its changes over the course of millennia.
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Philology of the Flesh
John T. Hamilton
University of Chicago Press, 2018
As the Christian doctrine of Incarnation asserts, “the Word became Flesh.” Yet, while this metaphor is grounded in Christian tradition, its varied functions far exceed any purely theological import. It speaks to the nature of God just as much as to the nature of language.

In Philology of the Flesh, John T. Hamilton explores writing and reading practices that engage this notion in a range of poetic enterprises and theoretical reflections. By pressing the notion of philology as “love” (philia) for the “word” (logos), Hamilton’s readings investigate the breadth, depth, and limits of verbal styles that are irreducible to mere information. While a philologist of the body might understand words as corporeal vessels of core meaning, the philologist of the flesh, by focusing on the carnal qualities of language, resists taking words as mere containers.

By examining a series of intellectual episodes—from the fifteenth-century Humanism of Lorenzo Valla to the poetry of Emily Dickinson, from Immanuel Kant and Johann Georg Hamann to Friedrich Nietzsche, Franz Kafka, and Paul Celan—Philology of the Flesh considers the far-reaching ramifications of the incarnational metaphor, insisting on the inseparability of form and content, an insistence that allows us to rethink our relation to the concrete languages in which we think and live.
 
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The Philosopher and the Storyteller
Eric Voegelin and Twentieth-Century Literature
Charles R. Embry
University of Missouri Press

Throughout his philosophical career, Eric Voegelin had much to say about literature in both his published work and his private letters. Many of his most trenchant comments regarding the analysis of literature appear in his correspondence with critic Robert Heilman, and, through his familiarity with that exchange, Charles Embry has gained extraordinary insight into Voegelin’s literary views.

The Philosopher and the Storyteller is the first book-length study of the literary dimensions of Voegelin’s philosophy—and the first to use his philosophy to read specific novels. Bringing to bear a thorough familiarity with both Voegelin and great literature, Embry shows that novels—like myths, philosophy, and religious texts—participate in the human search for the truth of existence, and that reading literature within a Voegelinian framework exposes the existential and philosophical dimensions of those works.

Embry focuses on two key elements of Voegelin’s philosophy as important for reading literature: metaxy, the in-between of human consciousness, and metalepsis, human participation in the community of being. He shows how Voegelin’s philosophy in general is rooted in literary-symbolic interpretation and, therefore, provides a foundation for the interpretation of literature. And finally he explores Voegelin’s insistence that the soundness of literary criticism lies in the consciousness of the reader.

Embry then offers Voegelinian readings that vividly illustrate the principles of this approach. First he considers Graham Swift’s Waterland as an example of the human search for meaning in the modern world, then he explores the deformation and recovery of reality in Heimito von Doderer’s long and complex novel The Demons, and finally he examines how Flannery O’Connor’s The Violent Bear It Away mythically expresses the flux of divine presence in what Voegelin calls the Time of the Tale.

The Philosopher and the Storyteller unites fiction and philosophy in the common quest to understand our nature, our world, and our cosmos. A groundbreaking exploration of the connection between Voegelin and twentieth-century literature, this book opens a new window on the philosopher’s thought and will motivate readers to study other novels in light of this approach.

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The Philosopher's Toothache
Embodied Stoicism in Early Modern English Drama
Donovan Sherman
Northwestern University Press, 2022
The Philosopher’s Toothache proposes that early modern Stoicism constituted a radical mode of performance. Stoicism—with its focus on bodily sensation, imagined spectatorship, and daily mental and physical exercise—exists as what the philosopher Pierre Hadot calls a “way of life,” a set of habits and practices. To be a Stoic is not to espouse doctrine but to act.

Informed by work in both classical philosophy and performance studies, Donovan Sherman argues that Stoicism infused the complex theatrical culture of early modern England. Plays written and performed during this period gave life to Stoic exercises that instructed audiences to cultivate their virtue, self-awareness, and creativity. By foregrounding Stoicism’s embodied nature, Sherman recovers a vital dimension too often lost in reductive portrayals of the Stoics by early modern writers and contemporary scholars alike. The Philosopher’s Toothache features readings of dramatic works by William Shakespeare, Cyril Tourneur, and John Marston alongside considerations of early modern adaptations of classical Stoics (Seneca, Epictetus, and Marcus Aurelius) and Neo-Stoics such as Justus Lipsius. These plays model Stoic virtues like unpredictability, indifference, vulnerability, and dependence—attributes often framed as negative but that can also rekindle a sense of responsible public action.
 
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Philosophical Orations, Volume I
Orations 1–21
Maximus of Tyre
Harvard University Press, 2023

A Platonic evangelist’s lectures on the good life.

Maximus of Tyre, active probably in the latter half of the second century AD, was a devoted Platonist whose only surviving work consists of forty-one brief addresses on various topics of ethical, philosophical, and theological import including the nature of divinity, the immortality of the soul, the sources of good and evil, the injustice of vengeance, the tyranny of pleasures and desires, the contribution of the liberal arts, and the pursuit of happiness, among many others. These addresses are conveniently labeled orations, but their fluid and hybrid style resists precise generic categorization, so that they could also be called discourses, speeches, lectures, talks, inquiries, essays, or even sermons.

In his orations Maximus strove to elucidate the philosophical life of virtue, especially as exemplified in the career of Socrates and in the writings of Plato, inviting his audience, sometimes addressed as young men, to share in his knowledge, to appreciate his fresh presentation of philosophical topics, and perhaps even to join him in pursuing philosophy. Drawing on the Hellenic cultural tradition from Homer to the death of Alexander the Great, Maximus offers a rich collection of the famous philosophical, literary, and historical figures, events, ideas, successes, and failures that constituted Greek paideia in the so-called Second Sophistic era.

This edition of Maximus’ Philosophical Orations offers a fresh translation, ample annotation, and a text fully informed by current scholarship.

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Philosophical Orations, Volume II
Orations 22–41
Maximus of Tyre
Harvard University Press, 2023

A Platonic evangelist’s lectures on the good life.

Maximus of Tyre, active probably in the latter half of the second century AD, was a devoted Platonist whose only surviving work consists of forty-one brief addresses on various topics of ethical, philosophical, and theological import including the nature of divinity, the immortality of the soul, the sources of good and evil, the injustice of vengeance, the tyranny of pleasures and desires, the contribution of the liberal arts, and the pursuit of happiness, among many others. These addresses are conveniently labeled orations, but their fluid and hybrid style resists precise generic categorization, so that they could also be called discourses, speeches, lectures, talks, inquiries, essays, or even sermons.

In his orations Maximus strove to elucidate the philosophical life of virtue, especially as exemplified in the career of Socrates and in the writings of Plato, inviting his audience, sometimes addressed as young men, to share in his knowledge, to appreciate his fresh presentation of philosophical topics, and perhaps even to join him in pursuing philosophy. Drawing on the Hellenic cultural tradition from Homer to the death of Alexander the Great, Maximus offers a rich collection of the famous philosophical, literary, and historical figures, events, ideas, successes, and failures that constituted Greek paideia in the so-called Second Sophistic era.

This edition of Maximus’ Philosophical Orations offers a fresh translation, ample annotation, and a text fully informed by current scholarship.

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Philosophical Writing
Locke, Berkeley, Hume
John J. Richetti
Harvard University Press, 1983

Locke, Berkeley, and Hume have profoundly influenced moral and political thought. Yet part of their persuasiveness and stature is inextricably bound to their skill with words. In Philosophical Writing, John Richetti suspends purely philosophical questions in order to analyze the writing strategies of the three great eighteenth-century British philosophers.

In place of recent analysis that finds philosophical writing undermined by its rhetorical operations, this assessment explores the self-conscious attempts of Locke, Berkeley, and Hume to strike a balance between the rational demonstration they adhere to as philosophers and the powerful persuasiveness they manage in their writing. Richetti shows that, though the three share a deep distrust of language and rhetoric, they also share a confidence in crafted writing and a dependence on its techniques for dramatizing and promoting their thought. Placing each in context of the thought and literature of the times, he describes their differing approaches to the problem of a suitable rhetorical mode for philosophy.

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Philosophy by Other Means
The Arts in Philosophy and Philosophy in the Arts
Robert B. Pippin
University of Chicago Press, 2021
Throughout his career, Robert B. Pippin has examined the relationship between philosophy and the arts. With his writings on film, literature, and visual modernism, he has shown that there are aesthetic objects that cannot be properly understood unless we acknowledge and reflect on the philosophical concerns that are integral to their meaning. His latest book, Philosophy by Other Means, extends this trajectory, offering a collection of essays that present profound considerations of philosophical issues in aesthetics alongside close readings of novels by Henry James, Marcel Proust, and J. M. Coetzee.

The arts hold a range of values and ambitions, offering beauty, playfulness, and craftsmanship while deepening our mythologies and enriching the human experience. Some works take on philosophical ambitions, contributing to philosophy in ways that transcend the discipline’s traditional analytic and discursive forms. Pippin’s claim is twofold: criticism properly understood often requires a form of philosophical reflection, and philosophy is impoverished if it is not informed by critical attention to aesthetic objects. In the first part of the book, he examines how philosophers like Kant, Hegel, and Adorno have considered the relationship between art and philosophy. The second part of the book offers an exploration of how individual artworks might be considered forms of philosophical reflection. Pippin demonstrates the importance of practicing philosophical criticism and shows how the arts can provide key insights that are out of reach for philosophy, at least as traditionally understood.
 
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Philosophy for Spiders
On the Low Theory of Kathy Acker
McKenzie Wark
Duke University Press, 2021
It's time to recognize Kathy Acker as one of the great postwar American writers. Over the decades readers have found a punk Acker, a feminist Acker, a queer Acker, a kink Acker, and an avant-garde Acker. In Philosophy for Spiders, McKenzie Wark adds a trans Acker. Wark recounts her memories of Acker (with whom she had a passionate affair) and gives a comprehensive reading of her published and archived works. Wark finds not just an inventive writer of fiction who pressed against the boundaries of gender but a theorist whose comprehensive philosophy of life brings a conceptual intelligence to the everyday life of those usually excluded from philosophy's purview. As Wark shows, Acker's engagement with topics such as masturbation, sadism, body-building, and penetrative sex are central to her distinct phenomenology of the body that theorizes the body's relation to others, the city, and technology.
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The Philosophy of Autobiography
Edited by Christopher Cowley
University of Chicago Press, 2015
We are living through a boom in autobiographical writing. Every half-famous celebrity, every politician, every sports hero—even the non-famous, nowadays, pour out pages and pages, Facebook post after Facebook post, about themselves. Literary theorists have noticed, as the genres of “creative nonfiction” and “life writing” have found their purchase in the academy. And of course psychologists have long been interested in self-disclosure. But where have the philosophers been? With this volume, Christopher Cowley brings them into the conversation.
           
Cowley and his contributors show that while philosophers have seemed uninterested in autobiography, they have actually long been preoccupied with many of its conceptual elements, issues such as the nature of the self, the problems of interpretation and understanding, the paradoxes of self-deception, and the meaning and narrative structure of human life. But rarely have philosophers brought these together into an overarching question about what it means to tell one’s life story or understand another’s. Tackling these questions, the contributors explore the relationship between autobiography and literature; between story-telling, knowledge, and agency; and between the past and the present, along the way engaging such issues as autobiographical ethics and the duty of writing. The result bridges long-standing debates and illuminates fascinating new philosophical and literary issues.  
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The Philosophy of Parochialism
Radomir Konstantinovic, Edited and with an Introduction by Branislav Jakovljevic, Translation by Ljiljana Nikolic and Branislav Jakovljevic
University of Michigan Press, 2021

The Philosophy of Parochialism is Radomir Konstantinović’s (1928–2011) most celebrated and reviled book. First published in Belgrade as Filosofija palanke in 1969, it attracted keen attention and controversy through its unsparing critique of Serbian and any other nationalism in Yugoslavia and beyond. The book was prophetic, seeming to anticipate not only the bloody disintegration of Yugoslavia in the 1990s, but also the totalitarian turn in politics across the globe in the first decades of the new century. With this translation, English-speaking audiences can at last discover one of the most original writers of eastern European late modernism, and gain an important and original perspective into contemporary politics and culture in the West and beyond. This is a book that seems to age in reverse, as its meanings become deeper and more universal with the passage of time.

Konstantinović’sbookresists easy classification, mixing classical, Montaigne-like essay, prose poetry, novel, and literary history. The word “philosophy” in the book’s title refers to the solitary activity of reflection and critical thinking, and is also paradoxical: according to the author, a defining characteristic of parochialism is precisely its intolerance toward this kind of self-reflexivity. In Konstantinović’s analysis, parochialism is not a simply a characteristic of a geographical region or a cultural, political, and historical formation—these are all just manifestations of the parochial spirit as the spirit of insularity. His book illuminates the current moment, in which insularity undergirds not only ethnic and national divisions, but also dictates the very structure of everyday life, and where individuals can easily find themselves locked in an echo chamber of social media. The Philosophy of Parochialism can help us understand better not only the dead ends of ethnic nationalism and other atavistic ideologies, but also of those cultural forces such as digital technologies that have been built on the promise of overcoming those ideologies.

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Philosophy, Writing, and the Character of Thought
John T. Lysaker
University of Chicago Press, 2018
Lysaker examines the relationship between philosophical thought and the act of writing to explore how this dynamic shapes the field of philosophy.

Philosophy’s relation to the act of writing is John T. Lysaker’s main concern in Philosophy, Writing, and the Character of Thought. Whether in Plato, Montaigne, Nietzsche, Wittgenstein, or Derrida, philosophy has come in many forms, and those forms—the concrete shape philosophizing takes in writing—matter. Much more than mere adornment, the style in which a given philosopher writes is often of crucial importance to the point he or she is making, part and parcel of the philosophy itself.

Considering how writing influences philosophy, Lysaker explores genres like aphorism, dialogue, and essay, as well as logical-rhetorical operations like the example, irony, and quotation. At the same time, he shows us the effects of these rhetorical devices through his own literary experimentation. In dialogue with such authors as Benjamin, Cavell, Emerson, and Lukács, he aims to revitalize philosophical writing, arguing that philosophy cannot fulfill its intellectual and cultural promise if it keeps to professional articles and academic prose. Instead, philosophy must embrace writing as an essential, creative activity, and deliberately reform how it approaches its subject matter, readership, and the evolving social practices of reading and reflection.
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Phoenix
A Father, a Son, and the Rise of Athens
David Stuttard
Harvard University Press, 2021

A Times Literary Supplement Best Book of the Year

A vivid, novelistic history of the rise of Athens from relative obscurity to the edge of its golden age, told through the lives of Miltiades and Cimon, the father and son whose defiance of Persia vaulted Athens to a leading place in the Greek world.

When we think of ancient Greece we think first of Athens: its power, prestige, and revolutionary impact on art, philosophy, and politics. But on the verge of the fifth century BCE, only fifty years before its zenith, Athens was just another Greek city-state in the shadow of Sparta. It would take a catastrophe, the Persian invasions, to push Athens to the fore. In Phoenix, David Stuttard traces Athens’s rise through the lives of two men who spearheaded resistance to Persia: Miltiades, hero of the Battle of Marathon, and his son Cimon, Athens’s dominant leader before Pericles.

Miltiades’s career was checkered. An Athenian provincial overlord forced into Persian vassalage, he joined a rebellion against the Persians then fled Great King Darius’s retaliation. Miltiades would later die in prison. But before that, he led Athens to victory over the invading Persians at Marathon. Cimon entered history when the Persians returned; he responded by encouraging a tactical evacuation of Athens as a prelude to decisive victory at sea. Over the next decades, while Greek city-states squabbled, Athens revitalized under Cimon’s inspired leadership. The city vaulted to the head of a powerful empire and the threshold of a golden age. Cimon proved not only an able strategist and administrator but also a peacemaker, whose policies stabilized Athens’s relationship with Sparta.

The period preceding Athens’s golden age is rarely described in detail. Stuttard tells the tale with narrative power and historical acumen, recreating vividly the turbulent world of the Eastern Mediterranean in one of its most decisive periods.

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The Phoenix
An Unnatural Biography of a Mythical Beast
Joseph Nigg
University of Chicago Press, 2016
Arising triumphantly from the ashes of its predecessor, the phoenix has been an enduring symbol of resilience and renewal for thousands of years. But how did this mythical bird become so famous that it has played a part in cultures around the world and throughout human history? How much of its story do we actually know? Here to offer a comprehensive biography and engaging (un)natural history of the phoenix is Joseph Nigg, esteemed expert on mythical creatures—from griffins and dragons to sea monsters.

Beginning in ancient Egypt and traveling around the globe and through the centuries, Nigg’s vast and sweeping narrative takes readers on a brilliant tour of the cross-cultural lore of this famous, yet little-known, immortal bird. Seeking both the similarities and the differences in the phoenix’s many myths and representations, Nigg describes its countless permutations over millennia, including legends of the Chinese “phoenix,” which was considered one of the sacred creatures that presided over China’s destiny; classical Greece and Rome, where it can be found in the writings of Herodotus and Ovid; nascent and medieval Christianity, in which it came to embody the resurrection; and in Europe during the Renaissance, when it was a popular emblem of royals. Nigg examines the various phoenix traditions, the beliefs and tales associated with them, their symbolic and metaphoric use, the skepticism and speculation they’ve raised, and their appearance in religion, bestiaries, and even contemporary popular culture, in which the ageless bird of renewal is employed as a mascot and logo, including for our own University of Chicago.

Never bested by hardship or defeated by death, the phoenix is the ultimate icon of hope and rebirth. And in The Phoenix: An Unnatural Biography of a Mythical Beast, it finally has its due—a complete chronicle worthy of such a fantastic and phantasmal creature. This entertaining and informative look at the
life and transformation of the phoenix will be the authoritative source for anyone fascinated by folklore and mythology, re-igniting our curiosity about one of myth’s greatest beasts.
 
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A Phonetic Description of the Ukrainian Language
Ivan Zilyns'kyj
Harvard University Press, 1979


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Phormio. The Mother-in-Law. The Brothers
Terence
Harvard University Press, 2001

The Roman comic playwright “whose every word delights.”

Terence brought to the Roman stage a bright comic voice and a refined sense of style. His six comedies—first produced in the half dozen years before his premature death in 159 BC—imaginatively reformulated in Latin plays that were originally written by Greek playwrights, especially Menander. For this new Loeb Classical Library edition of Terence, John Barsby gives us a faithful and lively translation with full explanatory notes, facing a freshly edited Latin text.

Volume I contains a substantial introduction and three plays: The Woman of Andros, a romantic comedy; The Self-Tormentor, which looks at contrasting father-son relationships; and The Eunuch, whose characters include the most sympathetically drawn courtesan in Roman comedy. The other three plays are in Volume II: Phormio, a comedy of intrigue with an engaging trickster; The Mother-in-Law, unique among Terence’s plays in that the female characters are the admirable ones; and The Brothers, which explores contrasting approaches to parental education of sons.

The Romans highly praised Terence—“whose speech can charm, whose every word delights,” in Cicero’s words. This new edition of his plays, which replaces the now outdated Loeb translation by John Sargeaunt (first published in 1912), succeeds in capturing his polished style and appeal.

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Photo-Attractions
An Indian Dancer, an American Photographer, and a German Camera
Ajay Sinha
Rutgers University Press, 2022
In Spring 1938, an Indian dancer named Ram Gopal and an American writer-photographer named Carl Van Vechten came together for a photoshoot in New York City. Ram Gopal was a pioneer of classical Indian dance and Van Vechten was reputed as a prominent white patron of the African-American movement called the Harlem Renaissance. Photo-Attractions describes the interpersonal desires and expectations of the two men that took shape when the dancer took pose in exotic costumes in front of Van Vechten’s Leica camera. The spectacular images provide a rare and compelling record of an underrepresented history of transcultural exchanges during the interwar years of early-20th century, made briefly visible through photography.
 
Art historian Ajay Sinha uses these hitherto unpublished photographs and archival research to raise provocative and important questions about photographic technology, colonial histories, race, sexuality and transcultural desires. Challenging the assumption that Gopal was merely objectified by Van Vechten’s Orientalist gaze, he explores the ways in which the Indian dancer co-authored the photos. In Sinha’s reading, Van Vechten’s New York studio becomes a promiscuous contact zone between world cultures, where a “photo-erotic” triangle is formed between the American photographer, Indian dancer, and German camera.
 
A groundbreaking study of global modernity, Photo-Attractions brings scholarship on American photography, literature, race and sexual economies into conversation with work on South Asian visual culture, dance, and gender. In these remarkable historical documents, it locates the pleasure taken in cultural difference that still resonates today.
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Physics Envy
American Poetry and Science in the Cold War and After
Peter Middleton
University of Chicago Press, 2015
At the close of the Second World War, modernist poets found themselves in an increasingly scientific world, where natural and social sciences claimed exclusive rights to knowledge of both matter and mind. Following the overthrow of the Newtonian worldview and the recent, shocking displays of the power of the atom, physics led the way, with other disciplines often turning to the methods and discoveries of physics for inspiration.
           
In Physics Envy, Peter Middleton examines the influence of science, particularly physics, on American poetry since World War II. He focuses on such diverse poets as Charles Olson, Muriel Rukeyser, Amiri Baraka, and Rae Armantrout, among others, revealing how the methods and language of contemporary natural and social sciences—and even the discourse of the leading popular science magazine Scientific American—shaped their work. The relationship, at times, extended in the other direction as well: leading physicists such as Robert Oppenheimer, Werner Heisenberg, and Erwin Schrödinger were interested in whether poetry might help them explain the strangeness of the new, quantum world. Physics Envy is a history of science and poetry that shows how ultimately each serves to illuminate the other in its quest for the true nature of things.
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Physics of Blackness
Beyond the Middle Passage Epistemology
Michelle M. Wright
University of Minnesota Press, 2015

What does it mean to be Black? If Blackness is not biological in origin but socially and discursively constructed, does the meaning of Blackness change over time and space? In Physics of Blackness: Beyond the Middle Passage Epistemology, Michelle M. Wright argues that although we often explicitly define Blackness as a “what,” it in fact always operates as a “when” and a “where.”

By putting lay discourses on spacetime from physics into conversation with works on identity from the African Diaspora, Physics of Blackness explores how Middle Passage epistemology subverts racist assumptions about Blackness, yet its linear structure inhibits the kind of inclusive epistemology of Blackness needed in the twenty-first century. Wright then engages with bodies frequently excluded from contemporary mainstream consideration: Black feminists, Black queers, recent Black African immigrants to the West, and Blacks whose histories may weave in and out of the Middle Passage epistemology but do not cohere to it.

Physics of Blackness takes the reader on a journey both known and unfamiliar—from Isaac Newton’s laws of motion and gravity to the contemporary politics of diasporic Blackness in the academy, from James Baldwin’s postwar trope of the Eiffel Tower as the site for diasporic encounters to theoretical particle physics’ theory of multiverses and superpositioning, to the almost erased lives of Black African women during World War II. Accessible in its style, global in its perspective, and rigorous in its logic, Physics of Blackness will change the way you look at Blackness.

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Physics, Volume I
Books 1–4
Aristotle
Harvard University Press

Natural causes.

Aristotle, great Greek philosopher, researcher, reasoner, and writer, born at Stagirus in 384 BC, was the son of a physician. He studied under Plato at Athens and taught there (367–347); subsequently he spent three years at the court of a former pupil in Asia Minor. After some time at Mitylene, in 343–342 he was appointed by King Philip of Macedon to be tutor of his teen-aged son Alexander. After Philip’s death in 336, Aristotle became head of his own school (of “Peripatetics”), the Lyceum at Athens. Because of anti-Macedonian feeling there after Alexander’s death in 323, he withdrew to Chalcis in Euboea, where he died in 322.

Nearly all the works Aristotle prepared for publication are lost; the priceless ones extant are lecture-materials, notes, and memoranda (some are spurious). They can be categorized as follows:

I Practical: Nicomachean Ethics; Great Ethics (Magna Moralia); Eudemian Ethics; Politics; Economics (on the good of the family); On Virtues and Vices.
II Logical: Categories; Analytics (Prior and Posterior); Interpretation; Refutations used by Sophists; Topica.
III Physical: Twenty-six works (some suspect) including astronomy, generation and destruction, the senses, memory, sleep, dreams, life, facts about animals, etc.
IV Metaphysics: on being as being.
V Art: Rhetoric and Poetics.
VI Other works including the Constitution of Athens; more works also of doubtful authorship.
VII Fragments of various works such as dialogues on philosophy and literature; and of treatises on rhetoric, politics, and metaphysics.

The Loeb Classical Library® edition of Aristotle is in twenty-three volumes.

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Physics, Volume II
Books 5–8
Aristotle
Harvard University Press

Natural causes.

Aristotle, great Greek philosopher, researcher, reasoner, and writer, born at Stagirus in 384 BC, was the son of a physician. He studied under Plato at Athens and taught there (367–347); subsequently he spent three years at the court of a former pupil in Asia Minor. After some time at Mitylene, in 343–342 he was appointed by King Philip of Macedon to be tutor of his teen-aged son Alexander. After Philip’s death in 336, Aristotle became head of his own school (of “Peripatetics”), the Lyceum at Athens. Because of anti-Macedonian feeling there after Alexander’s death in 323, he withdrew to Chalcis in Euboea, where he died in 322.

Nearly all the works Aristotle prepared for publication are lost; the priceless ones extant are lecture-materials, notes, and memoranda (some are spurious). They can be categorized as follows:

I Practical: Nicomachean Ethics; Great Ethics (Magna Moralia); Eudemian Ethics; Politics; Economics (on the good of the family); On Virtues and Vices.
II Logical: Categories; Analytics (Prior and Posterior); Interpretation; Refutations used by Sophists; Topica.
III Physical: Twenty-six works (some suspect) including astronomy, generation and destruction, the senses, memory, sleep, dreams, life, facts about animals, etc.
IV Metaphysics: on being as being.
V Art: Rhetoric and Poetics.
VI Other works including the Constitution of Athens; more works also of doubtful authorship.
VII Fragments of various works such as dialogues on philosophy and literature; and of treatises on rhetoric, politics, and metaphysics.

The Loeb Classical Library® edition of Aristotle is in twenty-three volumes.

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The Physiology of New York Boarding-Houses
Faflik, David
Rutgers University Press, 2008
The American boardinghouse once provided basic domestic shelter and constituted a uniquely modern world view for the first true generation of U.S. city-dwellers. Thomas Butler Gunn's classic 1857 account of urban habitation, The Physiology of New York Boarding-Houses, explores the process by which boardinghouse life was translated into a lively urban vernacular. Intimate in its confessional tone, comprehensive in its detail, disarmingly penetrating despite (or perhaps because of) its self-deprecating wit, Physiology is at once an essential introduction to a "lost" world of boarding, even as it comprises an early, engaging, and sophisticated analysis of America's "urban turn" during the decades leading up to the Civil War.

In his introduction, David Faflik considers what made Gunn's book a compelling read in the past and how today it can elucidate our understanding of the formation and evolution of urban American life and letters.

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The Phœnix Nest, 1593
Hyder Edward Rollins
Harvard University Press
A reissue of a volume published in 1931. Originally published in 1593, this book is one of the best of the many Elizabethan anthologies and includes poems of such fine writers as Thomas Lodge, Nicholas Breton, Sir Walter Raleigh, George Peele, and Robert Greene.
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Pictorial Victorians
The Inscription of Values in Word and Image
Julia Thomas
Ohio University Press, 2005

The Victorians were image obsessed. The middle decades of the nineteenth century saw an unprecedented growth in the picture industry. Technological advances enabled the Victorians to adorn with images the pages of their books and the walls of their homes. But this was not a wholly visual culture. Pictorial Victorians focuses on two of the most popular mid-nineteenth-century genres—illustration and narrative painting—that blurred the line between the visual and textual.

Illustration negotiated text and image on the printed page, while narrative painting juxtaposed the two media in its formulation of pictorial stories. Author Julia Thomas reassesses mid-nineteenth-century values in the light of this interplay. The dialogue between word and image generates meanings that are intimately related to the Victorians' image of themselves. Illustrations in Victorian publications and the narrative scenes that lined the walls of the Royal Academy reveal the Victorians' ideas about the world in which they lived and their notions of gender, class, and race.

Pictorial Victorians surveys a range of material, from representations of the crinoline, to the illustrations that accompanied Harriet Beecher Stowe’s novel Uncle Tom's Cabin and Tennyson's poetry, to paintings of adultery. It demonstrates that the space between text and image is one in which values are both constructed and questioned.

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The Picture of Dorian Gray
An Annotated, Uncensored Edition
Oscar Wilde
Harvard University Press, 2011

The Picture of Dorian Gray altered the way Victorians understood the world they inhabited. It heralded the end of a repressive Victorianism, and after its publication, literature had—in the words of biographer Richard Ellmann—“a different look.” Yet the Dorian Gray that Victorians never knew was even more daring than the novel the British press condemned as “vulgar,” “unclean,” “poisonous,” “discreditable,” and “a sham.” Now, more than 120 years after Wilde handed it over to his publisher, J. B. Lippincott & Company, Wilde’s uncensored typescript is published for the first time, in an annotated, extensively illustrated edition.

The novel’s first editor, J. M. Stoddart, excised material—especially homosexual content—he thought would offend his readers’ sensibilities. When Wilde enlarged the novel for the 1891 edition, he responded to his critics by further toning down its “immoral” elements. The differences between the text Wilde submitted to Lippincott and published versions of the novel have until now been evident to only the handful of scholars who have examined Wilde's typescript.

Wilde famously said that Dorian Gray “contains much of me”: Basil Hallward is “what I think I am,” Lord Henry “what the world thinks me,” and “Dorian what I would like to be—in other ages, perhaps.” Wilde’s comment suggests a backward glance to a Greek or Dorian Age, but also a forward-looking view to a more permissive time than his own, which saw Wilde sentenced to two years’ hard labor for gross indecency. The appearance of Wilde’s uncensored text is cause for celebration.

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Picturing Childhood
Youth in Transnational Comics
Edited by Mark Heimermann and Brittany Tullis, Foreword by Frederick Aldama
University of Texas Press, 2017

Comics and childhood have had a richly intertwined history for nearly a century. From Richard Outcault’s Yellow Kid, Winsor McCay’s Little Nemo, and Harold Gray’s Little Orphan Annie to Hergé’s Tintin (Belgium), José Escobar’s Zipi and Zape (Spain), and Wilhelm Busch’s Max and Moritz (Germany), iconic child characters have given both kids and adults not only hours of entertainment but also an important vehicle for exploring children’s lives and the sometimes challenging realities that surround them.

Bringing together comic studies and childhood studies, this pioneering collection of essays provides the first wide-ranging account of how children and childhood, as well as the larger cultural forces behind their representations, have been depicted in comics from the 1930s to the present. The authors address issues such as how comics reflect a spectrum of cultural values concerning children, sometimes even resisting dominant cultural constructions of childhood; how sensitive social issues, such as racial discrimination or the construction and enforcement of gender roles, can be explored in comics through the use of child characters; and the ways in which comics use children as metaphors for other issues or concerns. Specific topics discussed in the book include diversity and inclusiveness in Little Audrey comics of the 1950s and 1960s, the fetishization of adolescent girls in Japanese manga, the use of children to build national unity in Finnish wartime comics, and how the animal/child hybrids in Sweet Tooth act as a metaphor for commodification.

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Picturing Class
Lewis W. Hine Photographs Child Labor in New England
Robert Macieski
University of Massachusetts Press, 2015
In this richly illustrated book, Robert Macieski examines Lewis W. Hine’s art and advocacy on behalf of child laborers as part of the National Child Labor Committee (NCLC) between 1909 and 1917. A “social photographer”—as he called himself—Hine created images that documented children at work throughout New England, revealing their exploitation in the North as he had for rural working children in the South. Hine staged his images, highlighting particular types of labor in specific places: the “newsies” in Connecticut cities; sardine canners in Eastport, Maine; cranberry pickers in Cape Cod bogs; industrial homeworkers in Boston and Providence; and cotton textile workers throughout the region. His association with the NCLC connected him to a network of local and national reformers, social workers, and child welfare professionals, a broad coalition he supported in their fight to end this unethical labor practice. Macieski also chronicles Hine’s efforts to mount major exhibitions that would help move public opinion against child labor. In Picturing Class, Macieski explores the historical context of Hine’s photographs and the social worlds of his subjects. He offers a detailed analysis of many of the images, unearthing the stories behind the creation of these photographs and the lives of their subjects. In telling the story of these photographs, their creation, and their reception, Macieski demonstrates how Hine worked to advance an unvarnished picture of a rapidly changing region and the young workers at the center of this important shift.
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Picturing Emerson
An Iconography
Joel Myerson and Leslie Perrin Wilson
Harvard University Press

Picturing Emerson reproduces and explores the background of all known images of Ralph Waldo Emerson created from life, including drawings, paintings, silhouettes, sculptures, and photographs. The book provides dates for these images; information about their makers and Emerson’s sittings; as well as commentary by family members and contemporaries. The resulting work makes it possible for the first time to trace Emerson’s visage over seven decades.

Dating and correctly identifying images of Emerson has long challenged scholars, collectors, and the general public. By examining over fifty years of archival and published research—including web resources, library catalogs, and correspondence with international collections—the authors have been able to locate nearly 140 images dating from 1829 to immediately before Emerson’s death in 1882.

Joel Myerson has written or edited over sixty books on Emerson and the Transcendentalists, most recently Ralph Waldo Emerson: The Major Prose with Ronald A. Bosco. They have jointly received the Julian P. Boyd Award, the highest award presented by the Association for Documentary Editing. Leslie Perrin Wilson is a curator at the Concord Free Public Library, a repository known for significant holdings of Emerson portraiture. She has written extensively on local historical and literary topics.

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Picturing Religious Experience
George Herbert, Calvin, and the Scriptures
Daniel Doerksen
University of Delaware Press, 2012
Little has been said about the relationship of Herbert’s writings to those of John Calvin, yet the latter were abundant and influential in Herbert’s Church of England. Accordingly Picturing Religious Experience studies Herbert’s poetry in relation to those writings, particularly regarding “spiritual conflicts,” which the poet himself said would be found depicted in his book of poems. Much more than is generally realized, Calvin wrote about the experience of living the Christian life—which is also Herbert’s subject in many of his poems. Altogether, this study maintains that Herbert owes to his religious orientation not just themes or details, but an impulse to observe and depict the inner life, and scriptural patterns which significantly contribute to the substance and literary excellence of The Temple.

Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
 
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Picturing the Postcard
A New Media Crisis at the Turn of the Century
Monica Cure
University of Minnesota Press, 2018

The first full-length study of a once revolutionary visual and linguistic medium

Literature has “died” many times—this book tells the story of its death by postcard. Picturing the Postcard looks to this unlikely source to shed light on our collective, modern-day obsession with new media. The postcard, almost unimaginably now, produced at the end of the nineteenth century the same anxieties and hopes that many people think are unique to twenty-first-century social media such as Facebook or Twitter. It promised a newly connected social world accessible to all and threatened the breakdown of authentic social relations and even of language. 

Arguing that “new media” is as much a discursive object as a material one, and that it is always in dialogue with the media that came before it, Monica Cure reconstructs the postcard’s history through journals, legal documents, and sources from popular culture, analyzing the postcard’s representation in fiction by well-known writers such as E. M. Forster and Edith Wharton and by more obscure writers like Anne Sedgwick and Herbert Flowerdew. Writers deployed uproar over the new medium of the postcard by Anglo-American cultural critics to mirror anxieties about the changing nature of the literary marketplace, which included the new role of women in public life, the appeal of celebrity and the loss of privacy, an increasing dependence on new technologies, and the rise of mass media. Literature kept open the postcard’s possibilities and in the process reimagined what literature could be. 

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Picturing Worlds
Visuality and Visual Sovereignty in Contemporary Anishinaabe Literature
David Stirrup
Michigan State University Press, 2020
Paying attention to the uses that Anishinaabe authors make of visual images and marks made on surfaces such as rock, bark, paper, and canvas, David Stirrup argues that such marks—whether ancient pictographs or contemporary paintings—intervene in artificial divisions like that separating precolonial/oral from postcontact/alphabetically literate societies. Examining the ways that writers including George Copway, Jane Johnston Schoolcraft, Gordon Henry, Louise Erdrich, Gerald Vizenor, and others deploy the visual establishes frameworks for continuity, resistance, and sovereignty in that space where conventional narratives of settlement read rupture. This book is a significant contribution to studies of the ways traditional forms of inscription support and amplify the oral tradition and in turn how both the method and aesthetic of inscription contribute to contemporary literary aesthetics and the politics of representation.
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A Piece Of Work
Five Writers Discuss Their Revisions
Jay Woodruff
University of Iowa Press, 1993

Books on writing generally offer prescriptions and proscriptions about this "craft so hard to learn" instead of evidence. But in A Piece of Work Woodruff's incisive questions guide five writers—Tobias Wolff, Tess Gallagher, Robert Coles, Joyce Carol Oates, and Donald Hall—through specific examples that enable the reader to see how good writing becomes better. From the first draft through various revisions and finally to the printed version of a single piece of each author's work, Woodruff traces the full course of the revision process.


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Pierre Bourdieu and Literary History, Volume 58
Marshall Brown
Duke University Press
The recent publication in English of The Rules of Art has consolidated the work of the great French sociologist Pierre Bourdieu on literary history. In this special issue MLQ explores the development of Bourdieu’s thought, its philosophical and institutional implications, and a range of applications to the history of English literature.

Essays included in this collection discuss the hesitant response of the American academy to Bourdieu; Bourdieu on Derrida on Kant; “pure poetry,” cultural capital, and the rejection of classicism; and the insight Bourdieu’s work lends to our understanding of the position of eighteenth-century women writers.

Contributors. Marilyn Butler, John Guillory, Elizabeth W. Harries, Jonathan Joesberg, Toril Moi, William Paulson, Trevor Ross

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Pierre Guyotat et l’Algérie
Edited by Catherine Brun, Guillaume Fau, and Donatien Grau
Diaphanes, 2024

Pierre Guyotat est une figure majeure, avant même Tombeau pour cinq cent mille soldats et bien au-delà, de la mémoire de la guerre d’indépendance algérienne. Idiotie est l’une des œuvres récentes les plus importantes sur ce sujet. C’est le fait de la guerre, vécue en appelé jugé récalcitrant et mis au cachot, mais aussi des voyages post-indépendance, de la rencontre avec la langue, la géologie, la faune et la flore algériennes, de la défense publique de Mohamed Laïd Moussa. Les fictions, les carnets sont marqués par l’empreinte de la terre, des langues, des corps algériens.

Guyotat contribua aussi à établir, dans la création et l’action publique, des relations nouvelles avec l'Algérie, ses auteurs, comme avec celles et ceux qui, en France, venaient de ce pays.

Cet ouvrage offre la parole à des figures de la recherche et de la création issues d’Algérie, de France et d’ailleurs. Il permet de découvrir un regard unique sur l’Algérie, affectueux et savant, celui d’un des plus grands auteurs de langue française.

Contributions de Ferroudja Allouache, Amina Azza Bekkat, Catherine Brun, Donatien Grau, Denis Hollier, Karima Lazali, Gérard Nguyen Van Khan, Philippe Roger, Tiphaine Samoyault, Nadia Sebkhi, Todd Shepard, Noura Wedell.

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Pierre Macherey and the Case of Literary Production
Edited by Warren Montag and Audrey Wasser
Northwestern University Press, 2022

This collection revisits A Theory of Literary Production (1966) to show how Pierre Macherey’s remarkable—and still provocative—early work can contribute to contemporary discussions about the act of reading and the politics of formal analysis. Across a series of historically and philosophically contextualized readings, the volume’s contributors interrogate Macherey’s work on a range of pressing issues, including the development of a theory of reading and criticism, the relationship between the spoken and the unspoken, the labor of poetic determination and of literature’s resistance to ideological context, the literary relevance of a Spinozist materialism, the process of racial subjectification and the ontology of Blackness, and a theorization of the textual surface. Pierre Macherey and the Case of Literary Production also includes three new texts by Macherey, presented here in English for the first time: his postface to the revised French edition of A Theory of Literary Production; “Reading Althusser,” in which Macherey analyzes the concept of symptomatic reading; and a comprehensive interview in which Macherey reflects on the historical conditions of his early work, the long arc of his career at the intersection of philosophy and literature, and the ongoing importance of Louis Althusser’s thought.
 
Recent translations of Macherey’s work into English have introduced new readers to the critic’s enduring power and originality. Timely in its questions and teeming with fresh insights, Pierre Macherey and the Case of Literary Production demonstrates the depths to which his work resonates, now more than ever.

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Piety and Dissent
Race, Gender, and Biblical Rhetoric in Early American Autobiography
Eileen R. Elrod
University of Massachusetts Press, 2008
For pious converts to Christianity in late eighteenth- and early nineteenth-century New England, all reality was shaped by religious devotion and biblical text. It is therefore not surprising that earnest believers who found themselves marginalized by their race or sex relied on their faith to reconcile the tension between the spiritual experience of rebirth and the social ordeal of exclusion and injustice. In Piety and Dissent, Eileen Razzari Elrod examines the religious autobiographies of six early Americans who represented various sorts of marginality: John Marrant, Olaudah Equiano, and Jarena Lee, all of African or African American heritage; Samson Occom (Mohegan) and William Apess (Pequot); and Abigail Abbott Bailey, a white woman who was subjected to extreme domestic violence. Through close readings of these personal narratives, Elrod uncovers the complex rhetorical strategies employed by pious outsiders to challenge the particular kinds of oppression each experienced. She identifies recurrent ideals and images drawn from Scripture and Protestant tradition—parables of liberation, rage, justice, and opposition to authority—that allowed them to see resistance as a religious act and, more than that, imbued them with a sense of agency. What the life stories of these six individuals reveal, according to Elrod, is that conventional Christianity in early America was not the hegemonic force that church leaders at the time imagined, and that many people since have believed it to be. Nor was there a clear distinction between personal piety and religious, social, and political resistance. To understand fully the role of religion in the early period of American letters, we must rethink some of our most fundamental assumptions about the function of Christian faith in the context of individual lives.
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Pilgrims To The Wild
John P O'Grady
University of Utah Press, 1993

Pilgrims to the Wild is a survey of American writers who have responded to their encounters with the natural world. Ranging in its treatment from Thoreau’s important but neglected essay, 'Walking,' to the exuberant letters of the young artist Everett Ruess (who disappeared in the Escalante canyonlands), this is a broadly based exploration that brings to bear Eastern and Western classical philosophy, as well as contemporary critical theory, on a distinctive tradition of American Writing—those works concerned with the human relationship to the nonhuman world.

In addition to offering a fresh interpretation of classic authors such a Thoreau and Muir, this book introduces readers to the less widely known but equally fascinating writers Clarence King and Mary Austin.

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Pillars of Salt, Monuments of Grace
New England Crime Literature and the Origins of American Popular Culture, 1674-1860
Daniel A. Cohen
University of Massachusetts Press, 2006
In this innovative study, Daniel A. Cohen explores a major cultural shift embodied in hundreds of early New England crime publications. Tracing the declining authority of Puritan ministers, he shows how the arbiters of an increasingly pluralistic literary marketplace gradually supplanted pious execution sermons with last-speech broadsides, gallows verses, criminal autobiographies, trial reports, newspaper stories, and romantic docudramas. Pillars of Salt, Monuments of Grace probes the forgotten origins of our modern mass media's preoccupation with crime and punishment.
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Pimping Fictions
African American Crime Literature and the Untold Story of Black Pulp Publishing
Justin Gifford
Temple University Press, 2013
"Lush sex and stark violence colored Black and served up raw by a great Negro writer," promised the cover of Run Man Run, Chester Himes' pioneering novel in the black crime fiction tradition. In Pimping Fictions, Justin Gifford provides a hard-boiled investigation of hundreds of pulpy paperbacks written by Himes, Donald Goines, and Iceberg Slim (aka Robert Beck), among many others.

Gifford draws from an impressive array of archival materials to provide a first-of-its-kind literary and cultural history of this distinctive genre. He evaluates the artistic and symbolic representations of pimps, sex-workers, drug dealers, and political revolutionaries in African American crime literature-characters looking to escape the racial containment of prisons and the ghetto.

Gifford also explores the struggles of these black writers in the literary marketplace, from the era of white-owned publishing houses like Holloway House-that fed books and magazines like Players to eager black readers-to the contemporary crop of African American women writers reclaiming the genre as their own.

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Pindar's Verbal Art
An Ethnographic Study of Epinician Style
James Bradley Wells
Harvard University Press, 2009
In Pindar’s Verbal Art, James Bradley Wells argues that the victory song is a traditional art form that appealed to a popular audience and served exclusive elite interests through the inclusive appeal of entertainment, popular instruction, and laughter. This is the first study of Pindar’s language that applies performance as a method for the ethnographic description and interpretation of entextualized records of verbal art. In Mikhail Bakhtin’s terms, Pindar’s Verbal Art is a sociological stylistics of epinician language and demonstrates that Pindar’s is a highly dialogical form of art, an intertextual web of voices, whose study enables us to appreciate popular dimensions of his songs. Wells offers a new take on recurrent Pindaric questions: genre, the unity of the victory song, tradition, and, principally, epinician performance.
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The Pink Guitar
Writing as Feminist Practice
Rachel Blau DuPlessis
University of Alabama Press, 2006
An influential feminist study of poetry and writing
 
The Pink Guitar is a landmark study of women's writing and poetics—and representations of women artists—in the 20th century. It probes the work of H.D., William Carlos Williams, and Marcel Duchamp, among others, and includes DuPlessis’s pioneering essay “For the Etruscans,” described in American Literature as “one of the finest pieces of criticism in the feminist literary tradition.”

 

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Pink Pirates
Contemporary American Women Writers and Copyright
Caren Irr
University of Iowa Press, 2010

Today, copyright is everywhere, surrounded by a thicket of no trespassing signs that mark creative work as private property. Caren Irr’s Pink Pirates asks how contemporary novelists—represented by Ursula Le Guin, Andrea Barrett, Kathy Acker, and Leslie Marmon Silko—have read those signs, arguing that for feminist writers in particular copyright often conjures up the persistent exclusion of women from ownership. Bringing together voices from law schools, courtrooms, and the writer's desk, Irr shows how some of the most inventive contemporary feminist novelists have reacted to this history. 

 Explaining the complex, three-century lineage of Anglo-American copyright law in clear, accessible terms and wrestling with some of copyright law's most deeply rooted assumptions, Irr sets the stage for a feminist reappraisal of the figure of the literary pirate in the late twentieth century—a figure outside the restrictive bounds of U.S. copyright statutes. 

 Going beyond her readings of contemporary women authors, Irr’s exhaustive history of how women have fared under intellectual property regimes speaks to broader political, social, and economic implications and engages digital-era excitement about the commons with the most utopian and materialist strains in feminist criticism.

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The Pinocchio Effect
On Making Italians, 1860-1920
Suzanne Stewart-Steinberg
University of Chicago Press, 2007
Soon after the disparate states of the Italian peninsula unified in the 1860s to create a single nation, the nationalist Massimo D’Azeglio is said to have remarked, “We have made Italy, now we have to make Italians.” The Pinocchio Effect draws on a remarkably broad array of sources to trace this making of a modern national identity in Italy, a subject that remains strikingly understudied in the English-speaking world of Italian studies.

Taking as her guiding metaphor the character of Pinocchio—a national icon made famous in 1881 by the eponymous children’s book—Susan Stewart-Steinberg argues that just like the renowned puppet, modern Italians were caught in a complex interplay between freely chosen submission and submission demanded by an outside force. In doing so, she explores all the ways that identity was constructed through newly formed attachments, voluntary and otherwise, to the young nation. Featuring deft readings of the period’s most important Italian cultural and social thinkers—including the theorist of mass psychology Scipio Sighele, the authors Matilde Serao and Edmondo De Amicis, the criminologist Cesare Lombroso, and the pedagogue Maria Montessori—Stewart-Steinberg’s richly multidisciplinary book will set a new standard in Italian studies.
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Pinocchio
The Adventures of a Puppet, Doubly Commented Upon and Triply Illustrated
Giorgio Agamben
Seagull Books, 2023
A richly illustrated analysis from one of Europe’s greatest living philosophers.
 
In Pinocchio, Giorgio Agamben turns his keen philosopher’s eye to the famous nineteenth-century novel by Carlo Collodi. To Agamben, Pinocchio’s adventures are a kind of initiation into life itself. Like us, the mischievous puppet is caught between two worlds. He is faced with the alternatives of submitting to authority or of carrying on, stubbornly indulging his way of being. From Agamben’s virtuoso interpretation of this classic story, we learn that we can harbor the mystery of existence only if we are not aware of it, only if we manage to cohabit with an area of non-knowledge, immemorial and very near. Richly illustrated with images from three early editions of Collodi’s novel, this new volume will delight enthusiasts of both literature and philosophy.
 
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Pinter In Play
Critical Strategies and the Plays of Harold Pinter
Susan Hollis Merritt
Duke University Press, 1990
Pinter in Play provides a survey of diverse readings of the Harold Pinter canon organized around and presented in terms of the major critical schools of the past twenty-five years, from New Criticism to deconstruction to poststructuralism. Reflecting on the cultural, personal, sociological, and philosophical contexts of these diverse critical perspectives and the critics who express them, this book is equally about the act or the art of literary criticism and itself an important work of literary criticism. Drawing on interviews with Pinter scholars, Susan Hollis Merritt shows how critics "play" with Pinter and thereby seriously enforce personal, professional, and political affiliations. Cutting across traditional academic and nonacademic boundaries, Merritt argues that greater cooperation and collaboration among critics can resolve conflicts, promote greater social equity, and foster ameliorative critical and cultural change.
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The Piracy Crusade
How the Music Industry's War on Sharing Destroys Markets and Erodes Civil Liberties
Aram Sinnreich
University of Massachusetts Press, 2013
In the decade and a half since Napster first emerged, forever changing the face of digital culture, the claim that "internet pirates killed the music industry" has become so ubiquitous that it is treated as common knowledge. Piracy is a scourge on legitimate businesses and hard-working artists, we are told, a "cybercrime" similar to identity fraud or even terrorism.

In The Piracy Crusade, Aram Sinnreich critiques the notion of "piracy" as a myth perpetuated by today's cultural cartels—the handful of companies that dominate the film, software, and especially music industries. As digital networks have permeated our social environment, they have offered vast numbers of people the opportunity to experiment with innovative cultural and entrepreneurial ideas predicated on the belief that information should be shared widely. This has left the media cartels, whose power has historically resided in their ability to restrict the flow of cultural information, with difficult choices: adapt to this new environment, fight the changes tooth and nail, or accept obsolescence. Their decision to fight has resulted in ever stronger copyright laws and the aggressive pursuit of accused infringers.

Yet the most dangerous legacy of this "piracy crusade" is not the damage inflicted on promising start-ups or on well-intentioned civilians caught in the crosshairs of file-sharing litigation. Far more troubling, Sinnreich argues, are the broader implications of copyright laws and global treaties that sacrifice free speech and privacy in the name of combating the phantom of piracy—policies that threaten to undermine the foundations of democratic society.
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Pirate Novels
Fictions of Nation Building in Spanish America
Nina Gerassi-Navarro
Duke University Press, 1999
In Pirate Novels Nina Gerassi-Navarro examines an overlooked genre to reveal how history and fiction blend to address important isuses of nation building in nineteenth-century Spanish America. In the figure of the pirate, bold and heroic to some, cruel and criminal to others, she reveals an almost ideal character that came to embody the spirit of emerging nationhood and the violence associated with the struggle to attain it.
Beginning with an overview of the history of piracy, Gerassi-Navarro traces the historical icon of the pirate through colonial-era chronicles before exploring a group of nineteenth-century Mexican, Colombian, and Argentine novels. She argues that the authors of these novels, in their reconstructions of the past, were less interested in accurate representations than in using their narratives to discuss the future of their own countries. In reading these pirate narratives as metaphors for the process of nation building in Spanish America, Gerassi-Navarro exposes the conflicting strains of a complex culture attempting to shape that future. She shows how these pirate stories reflect the on-going debates that marked the consolidation of nationhood, as well as the extent to which the narratives of national identity in Spanish America are structured in relation to European cultures, and the ways in which questions of race and gender were addressed.
Providing new readings of the cultural and political paradigms that marked the literary production of nineteenth-century Spanish America, Pirate Novels uniquely expands the range of texts usually examined in the study of nation-building. It will interest literary scholars generally as well as those engaged in Latin American, colonial, and postcolonial studies.
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Pitch of Poetry
Charles Bernstein
University of Chicago Press, 2016
Praised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in the New York Times, Charles Bernstein is a leading voice in American literary theory. Pitch of Poetry is his irreverent guide to modernist and contemporary poetics.

Subjects range across Holocaust representation, Occupy Wall Street, and the figurative nature of abstract art. Detailed overviews of formally inventive work include essays on—or “pitches” for—a set of key poets, from Gertrude Stein and Robert Creeley to John Ashbery, Barbara Guest, Larry Eigner, and Leslie Scalapino. Bernstein also reveals the formative ideas behind the magazine L=A=N=G=U=A=G=E. The final section, published here for the first time, is a sweeping work on the poetics of stigma, perversity, and disability that is rooted in the thinking of Edgar Allan Poe, Emily Dickinson, Ralph Waldo Emerson, and William Blake.

Pitch of Poetry makes an exhilarating case for what Bernstein calls echopoetics: a poetry of call and response, reason and imagination, disfiguration and refiguration.
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Pivotal Voices, Era of Transition
Toward a 21st Century Poetics
Rigoberto González
University of Michigan Press, 2017
Pivotal Voices, Era of Transition gathers Rigoberto González’s most important essays and book reviews, many of which consider the work of emerging poets whose identities and political positions are transforming what readers expect from contemporary poetry. A number of these voices represent intersectional communities, such as queer writers of color like Natalie Díaz, Danez Smith, Ocean Vuong, and Eduardo C. Corral, and many writers, such as Carmen Giménez Smith and David Tomás Martínez, have deep connections to their Latino communities. Collectively, these writers are enriching American poetry to reflect a more diverse, panoramic, and socially conscious literary landscape. Also featured are essays on the poets’ literary ancestors—including Juan Felipe Herrera, Alurista, and Francisco X. Alarcón—and speeches that address the need to leverage poetry as agency.

This book fills a glaring gap in existing poetry scholarship by focusing exclusively on writers of color, and particularly on Latino poetry. González makes important observations about the relevance, urgency, and exquisite craft of the work coming from writers who represent marginalized communities. His insightful connections between the Latino, African American, Asian American, and Native American literatures persuasively position them as a collective movement critiquing, challenging, and reorienting the direction of American poetry with their nuanced and politicized verse. González’s inclusive vision covers a wide landscape of writers, opening literary doors for sexual and ethnic minorities.


 
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A Place for Humility
Whitman, Dickinson, and the Natural World
Christine Gerhardt
University of Iowa Press, 2014
Emily Dickinson and Walt Whitman are widely acknowledged as two of America’s foremost nature poets, primarily due to their explorations of natural phenomena as evocative symbols for cultural developments, individual experiences, and poetry itself. Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones.

Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.

A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.
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A Place for Us
“West Side Story” and New York
Julia L. Foulkes
University of Chicago Press, 2016
From its Broadway debut to the Oscar-winning film to countless amateur productions, West Side Story is nothing less than an American touchstone—an updating of Shakespeare vividly realized in a rapidly changing postwar New York.

That vision of postwar New York is at the heart of Julia L. Foulkes’s A Place for Us. A lifelong fan of the show, Foulkes became interested in its history when she made an unexpected discovery: scenes for the iconic film version were shot on the demolition site destined to become part of the Lincoln Center redevelopment area—a crowning jewel of postwar urban renewal. Foulkes interweaves the story of the creation of the musical and film with the remaking of the Upper West Side and the larger tale of New York’s postwar aspirations. Making unprecedented use of director and choreographer Jerome Robbins’s revelatory papers, she shows the crucial role played by the political commitments of Robbins and his fellow gay, Jewish collaborators, Leonard Bernstein and Arthur Laurents. Their determination to evoke life in New York as it was actually lived helped give West Side Story its unshakable sense of place even as it put forward a vision of a new, vigorous, determinedly multicultural American city.

Beautifully written and full of surprises for even the most dedicated West Side Story fan, A Place for Us is a revelatory new exploration of an American classic.
 
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Place, Language, and Identity in Afro-Costa Rican Literature
Dorothy E. Mosby
University of Missouri Press, 2003
In Place, Language, and Identity in Afro-Costa Rican Literature, Dorothy E. Mosby investigates contemporary black writing from Costa Rica and argues that it reveals the story of a people formed by multiple migrations and cultural transformations. Afro–Costa Rican writers from different historical periods express their relation to place, language, and identity as a “process,” a transformation partly due to sociohistorical circumstances and partly in reaction against the national myths of whiteness in the dominant Hispanic culture. Black writers in Costa Rica have used creative writing as a means to express this change in self-identity—as West Indians, as Costa Ricans, as “Latinos,” and as a contentious union of all these cultural identifications—as well as to combat myths and extrinsic definitions of their culture.
Mosby examines the transformation of identity in works by black writers in Costa Rica of Afro–West Indian descent as particular national identities find common ground in the expression of an Afro–Costa Rican identity. These writers include Alderman Johnson Roden, Dolores Joseph, Eulalia Bernard, Quince Duncan, Shirley Campbell, and Delia McDonald, all of whose works are analyzed for their use of language and their reflections on place and exile. Their works are also read as articulations of generational shifts in the assertion of cultural and national identity. Mosby convincingly argues that Afro–Costa Rican literature emerged out of the African-derived oral traditions of Anglo–West Indian literature. She then goes on to show how second-generation writers included this literary tradition in their work, while fourth-generation poets refer to it only through occasional allusions.
With the current growth of interest in Afro-Hispanic and Afro-Latin American cultural and literary studies, this book will be essential for courses in Latin American and Caribbean literature, comparative studies, Diaspora studies, history, cultural studies, and the literature of migration.
 
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The Place of Law
Austin Sarat, Lawrence Douglas, and Martha Merrill Umphrey, Editors
University of Michigan Press, 2003
It has long been standard practice in legal studies to identify the place of law within the social order. And yet, as The Place of Law suggests, the meaning of the concept of "the place of law" is not self-evident.
This book helps us see how the law defines territory and attempts to keep things in place; it shows how law can be, and is, used to create particular kinds of places -- differentiating, for example, individual property from public land. And it looks at place as a metaphor that organizes the way we see the world. This important new book urges us to ask about the usefulness of metaphors of place in the design of legal regulation.
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